UA-94120881-2

Sharon Core

August 3 – September 22, 2018

Sharon Core  1614 (Based on Ambrosia Bosschaert from Flanders), 2017  Archival Pigment Print, photography, Asheville, contemporary art

Sharon Core

1614, from the series "1606-1907", 2017

Archival Pigment Print

12 7/8h x 16 1/8w in
32.70h x 40.96w cm

Edition of 7

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Sharon Core  1634, from the series 1606 - 1907, 2011  Archival Pigment Print, photography, Asheville, contemporary art

Sharon Core

1634, from the series 1606 - 1907, 2011

Archival Pigment Print

26h x 20 3/4w in
66.04h x 52.71w cm

Framed: 27 1/2h x 22w in
69.85h x 55.88w cm

Edition of 7

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Sharon Core  1661, from the series "1606-1907", 2017  Archival Pigment Print, photography, Asheville, contemporary art

Sharon Core

1661, from the series "1606-1907", 2017

Archival Pigment Print

24 3/8h x 20w in
61.91h x 50.80w cm

Framed: 25 3/4h x 21 1/2w in
65.41h x 54.61w cm

Edition of 7

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Sharon Core  1695, from the series "1606-1907", 2012  Archival Pigment Print, photography, Asheville, contemporary art

Sharon Core

1695, from the series "1606-1907", 2012

Archival Pigment Print

19 1/4h x 16 1/2w in
48.90h x 41.91w cm

Framed: 20 3/4h x 18w in
52.71h x 45.72w cm

Edition of 7

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Sharon Core  1720, from the series "1606-1907", 2012  Archival Pigment Print  29 1/4h x 23w in, photography, Asheville, contemporary art

Sharon Core

1720, from the series "1606-1907", 2012

Archival Pigment Print

29 1/4h x 23w in
74.30h x 58.42w cm

Framed: 30 3/4h x 24 1/2w in
78.11h x 62.23w cm

Edition of 7

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Sharon Core  1889, from the series "1606-1907", 2015  Archival Pigment Print, photography, Asheville, contemporary art

Sharon Core

1889, from the series "1606-1907", 2015

Archival Pigment Print

16h x 20w in
40.64h x 50.80w cm

Framed: 17 1/2h x 21 1/2w in
44.45h x 54.61w cm

Edition of 7

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Sharon Core  1907, from the series "1606-1907", 2011  Archival Pigment Print, photography, Asheville, contemporary art

Sharon Core

1907, from the series "1606-1907", 2011

Archival Pigment Print

23h x 18 1/2w in
58.42h x 46.99w cm

Framed: 24 1/2h x 19 3/4w in
62.23h x 50.17w cm

Edition of 7

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Sharon Core  Untitled #1, from the series "Understory", 2014  Archival Pigment Print, photography, Asheville, contemporary art

Sharon Core

Untitled #1, from the series "Understory", 2014

Archival Pigment Print

38h x 30w in
96.52h x 76.20w cm

Framed: 39 1/3h x 31 1/2w in
99.91h x 80.01w cm

Edition of 7

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Sharon Core  Untitled #17, from the series "Understory", 2017  Archival Pigment Print, photography, Asheville, contemporary art

Sharon Core

Untitled #17, from the series "Understory", 2017

Archival Pigment Print

26 1/2h x 16 1/2w in
67.31h x 41.91w cm

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Sharon Core  Untitled #11, from the series "Understory", 2015  Archival Pigment Print, photography, Asheville, contemporary art

Sharon Core

Untitled #11, from the series "Understory", 2015

Archival Pigment Print

30h x 23 3/4w in
76.20h x 60.33w cm

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Sharon Core  Untitled #13, from the series "Understory", 2015  Archival Pigment Print, photography, Asheville, contemporary art

Sharon Core

Untitled #13, from the series "Understory", 2015

Archival Pigment Print

20h x 30w in
50.80h x 76.20w cm

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Sharon Core  Untitled #3, from the series "Understory", 2015  Archival Pigment Print, photography, Asheville, contemporary art

Sharon Core

Untitled #3, from the series "Understory", 2015

Archival Pigment Print

31 1/4h x 24 3/4w in
79.38h x 62.87w cm

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Sharon Core  Untitled #7, from the series "Understory", 2015  Archival Pigment Print, photography, Asheville, contemporary art

Sharon Core

Untitled #7, from the series "Understory", 2015

Archival Pigment Print

18h x 14 1/4w in
45.72h x 36.20w cm

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Sharon Core  Untitled #7, from the series "Understory", 2015  Archival Pigment Print, photography, Asheville, contemporary art

Sharon Core

Untitled #9, from the series "Understory", 2015

Archival Pigment Print

38h x 26w in
96.52h x 66.04w cm

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Press Release

Tracey Morgan Gallery is pleased to present an exhibition of works from New York photographer Sharon Core. The artist creates extensively researched explorations of the living still life. In both series exhibited, 1606-1907 and Understory, we see the play between the illusion of a painting and the truth of a photograph set amidst the natural cycles of decay and renewal. This will be Core’s first show with the gallery.

In 1606-1907, begun in 2011 and ongoing, Core references a 300 year span of works from the pictorial convention of the floral still life, ranging from Dutch masters of the 1600s to modernist works of the early 1900s. Core is committed to absolute authenticity in her photographs, cultivating many of the plant and flower species in her works from heirloom rose grafts, bulbs, and seeds. These spectacular photographs evoke both the history which they reference alongside the fragile impermanence of the subjects. The longevity of flora and fauna in art history starkly contrasts with the fleeting nature of the subject itself, and these works live in a lush middle ground between reality and depiction. The resulting constructions are meticulous, vibrant, and somehow both fresh and familiar.

In Understory, Core moves beyond the ordered, meticulous, and formal tabletop arrangements into the environment itself. In lieu of the stark backdrop and tabletop, Core created a landscape inside of a geodesic dome/greenhouse on her land in the Hudson Valley. For this parallel landscape, Core chose a variety of symbolic and psychotropic plants, a fig tree, collections of decaying wood, moss, insects, reptiles and amphibians. Influenced by the 17th century Dutch painter Otto Marseus van Schriek who cultivated a bog for his “forest floor” paintings (or sottobosco), Core created her own quasi-natural location and living studio for photography. The term understory is used to describe the flora and fauna below the canopy of trees in a forest, essentially the low lying vegetation and decaying matter from which all new life emerges. Through her interaction with the chaos of decomposition in these images, she inches closer to our notions of disordered “reality.” She creates these works through curating what she chooses to cultivate and bring into her engineered space, deeply interacting with the hidden corners and small pockets of the living studio. We do still see the deep, lush palette of her earlier work, the sharp, cinematic lighting, and the confrontation of our understanding of photography as simply a medium for documentation. The historical implications and tensions of both these and her earlier work wonderfully contrast with the temporal nature of her subjects, creating a captivating narrative, both conceptually and aesthetically.

Sharon Core was born in New Orleans in 1965. She holds a BFA in painting from the University of Georgia and an MFA in Photography from Yale University. Her work is in the permanent collections of numerous museums, including the Guggenheim Museum, J. Paul Getty Museum, Yale University Art Gallery, Princeton Art Museum, Cleveland Museum of Art, and Amon Carter Museum, Fort Worth, among others. In 2012 Radius Books published Early American, Coreʼs first monograph.