Q&A with Jade Doskow, Photographer-in-Residence, written By Sandra Kresch
Thanks to Arnold Wengrow & Mountain Xpress for coving our recent move to 22 London and inaugural exhibition "What Came First"
Thanks to Asheville Made and Lauren Stepp for highlighting our new gallery location, current group exhibition, and upcoming exhibition with Nava Lubelski.
Stacy Kranitz's first monograph "As It Was Give(n) To Me" gathers twelve years of her work in Appalaichia, a testiment to her approach to photography in the poorest, most violently misrepresented socio-cultural region in the United States.
Text by Jayne O'Dwyer
Interview by Avery Norman
McNair Evans' gallery exhibition featured in Musee Magazine
Published June 5, 2023
"Margaret Curtis’s paintings are gorgeous and lush and haunting, filled with allegory, historical references and connections to what she calls cultural collapse. In this episode, we talk about the personal and communal trauma informing her work, her subversive commentary as torches for feminism and climate change and the balancing beam she walks in her work between darkness and beauty."
Kirsten Stolle's "The Grass is Always Greener" was featured in Harper's Magazine Monday Gallery series.
For Stacy Kranitz, replacing negative stereotypes with a triumphant counternarrative would be too easy. By Andrew Aoyama.
Review of Stacy Kranitz new book, "As It Was Give(n) To Me," by Kenneth Dickerman
Feature on Georgia Deal, by Kay West
Kirsten Stolle was commissioned to create work for the Atlantic article “America’s Lost Crops Rewrite the History of Farming," by Sarah Laskow
Be Magazin, the KÜNSTLERHAUS BETHANIEN's yearbook, presents artists every year who have recently been or continue to be guests there on scholarships, and reflects the cultural events in the building. This iteration features artist Gesche Würfel.
Feauring artists Orly Cogan, Judy Chicago, and Hanecdote.
Interview with Margaret Curtis by Jenny Gill. Published July 28, 2022.
Published July 31, 2022. By Tom Kerr.
Review of Ted Pope's current project space installation at the gallery.
Review of "Colby Caldwell: Over & Under" on view through June 25 at Hemphill Artworks
“Boston Gardens, 1977-78” and “Fenway Park, 1977-78,” photographs by Mike Smith from his book Streets of Boston, which was published in January by Stanley/Barker. Smith’s work is on view through May 28 at Tracey Morgan Gallery.
'Asheville artist Zander Stefani wrangles his anxiety one brush stroke at a time,' by Matt Peiken
'Work of Asheville artist to be featured in upcoming NC Museum of Art exhibit,' by Brittany Whitehead
'Margaret Curtis exhibit opens Tuesday at Florence County Museum,' by Matthew Robertson
'Climate Change as You’ve Never Seen It Before: “FloodZone” by Anastasia Samoylova'
A Wilderness Engineered The Radical Transformation of Fresh Kills
By Cal Flyn
The Real Places That Gave Rise to Southern Fictions: Tema Stauffer’s photographs explore how the experience of going somewhere is shaped by your expectations of what you will find.
By Casey Cep
"Tema Stauffer provides the photos and leaves the narrative to her viewers," by Matt Peiken.
Margaret Curtis' recent Joan Mitchell award was featured in Asheville Made magazine.
A photograph by Bryan Graf was featured in the article "Slow Time: Southern resonance in Daniel Lanois’s Sling Blade score"
Exhibition review by Saige Buffington, published Oct 8, 2021
Gesche Wurfel's current gallery exhibition was recently featured in Southern Culture
NY Review Article focusing on how climate change is influencing local ecosystems in South Florida
Burnaway article on how the artist Anastasia Samoylova captures water through a camera lens
Document Journal article focusing on the rising sea levels threatening Florida
Hyperallergic Article providing commentary on the subject matter of the Floodzone series
Art Papers review of floodzone at University of South Florida
Photographs that capture the restlessness of place.
Exhibition review of Bryan Graf: Optical Research, on view August 14 - September 26, 2020
Article on Gesche Wurfel Photography with a focus in over exposure
Rhino Tines Article celebrating 75th Anniversary of WWII through Gesche Wurfel photography
Yes Weekly article on 75th anniversary of World War II with an exhibition of Gesche Wurfel Photography
Galerian article of Gesche Wurfel Photography
The New York Times album of Gesche Wurfel Photography.
A look at Stacy's decade-long project in Appalachia.
An interview with Stacy Kranitz about her work both past and present.
Cover feature for November issue of Asheville Made about Rachel Meginne's work and inspiration.
An online feature on Stacey Kranitz's series, As It Was Give(n) To Me.
Review of Bryan Graf's current exhibition at Atlanta Contemporary Art Center.
An interview with artist Randy Shull about the work in his most recent show opening at Tracey Morgan Gallery.
McNair Evans' work was featured as the cover photo for the Fine Art Photography issue of PDN. Also in this issue, McNair gives some advice on working as an artist.
An interview with photographer McNair Evans.
An article on the 10 finalists of the Prix Decouverte Louis Roederer category of the Arles photography festival, including Stacy Kranitz.
Interview with Stacy Kranitz during Arles photography festival, 2019
Interview with Stacy Kranitz during Arles photography festival, 2019
Diner, Elizaville, New York, 2017 included in the Harper's Magazine Monday Gallery.
Book Review on Tema Stauffer's Upstate
Review of Temma Stauffer's upstate series of work
Book Review
Review of Smith's debut exhibition at the gallery.
Interview with painter Margaret Curtis.
Interview with Margaret Curtis on her upcoming solo exhibition at Mars Hill University's at Weizenblatt Gallery.
Web Feature on James Henkel's exhibition, Table Arrangements.
Mike Smith has lived, taught, and photographed in and around Johnson City, Tennessee, for nearly 40 years. An army brat born in Germany in 1951, Smith served in Vietnam before attending the Massachusetts College of Art, receiving his MFA from Yale, and eventually relocating to Johnson City. But East Tennessee is a part of the world where even decades of hard work and residency don’t turn a transplant into a real local, as is suggested by the title of Smith’s 2004 book, You’re Not from Around Here.
Sharon Core grows rare blooms from seed in order to painstakingly recreate the arrangements of the masters...
Webfeature on "Conditions for an Unfinished Work of Mourning"
Interview with Dawn Roe covering her current exhibitions at TMG and Revolve Asheville.
Jade Doskow's Lost Utopias is one of the featured portfolios in the July/August issue.
Interview with gallery artist Dawn Roe regarding her work and process.
Jade Doskow's Lost Utopias open at Front Room Gallery.
Works by 12 artists who have had such solo outings are brought together in SECCA’s latest group exhibition, on view through April 22 in the Main Gallery. Playing on North Carolina’s status as the 12th state to have ratified the U.S. Constitution, it’s titled “12 x 12: 12 Artists from the 12th State.”
Web feature on our "Future Past" exhibition.
Premeier issue of The Reservoir featuring and interview with Stacy Kranitz on her current project on Cancer Alley.
Article on the collaborative project by Stacy Kranitz and Zoe Strauss.
Web feature and gallery of Kranitz's current exhibition at TMG.
Feature article on Laura Letinksy.
Interview with Kirsten Stolle about her work upcoming exhibition.
Article on the gallery and current exhibition "Transplants."
General Gallery Press. Interview about the gallery and current exhibitions.
Listing for McNair Evans: Confessions for a Son exhibition.
Feature on exhibition, McNair Evans: Confessions for a Son.
Web feature on Representing Place: Photographs of Appalachia.
Feature on the exhibition "Representing Place: Photographs of Appalachia," at Tracey Morgan Gallery
In profile on Tracey Morgan and Tracey Morgan Gallery.
