Dawn Roe

Conditions for an Unfinished Work of Mourning

August 3 – September 22, 2018

Dawn Roe  Rock in Concrete on Spain/France Border, from the series "Conditions for an Unfinished Work of Mourning: Beauty As an Appeal to Join the Majority of Those Who Are Dead", 2017  Archival Pigment Print  62h x 32 3/4w in, Photography, Contemporary Art, Asheville

Dawn Roe

Rock in Concrete on Spain/France Border, from the series "Conditions for an Unfinished Work of Mourning: Beauty As an Appeal to Join the Majority of Those Who Are Dead", 2017

Archival Pigment Print

62h x 32 3/4w in
157.48h x 83.19w cm

Edition of 5

DR_016

Dawn Roe  Condition for an Unfinished Work of Mourning: Beauty As an Appeal to Join the Majority of Those Who Are Dead, 2017  HD Video, 32 inch LCD Monitor, Video, Contemporary Art, Asheville

Dawn Roe

Condition for an Unfinished Work of Mourning: Beauty As an Appeal to Join the Majority of Those Who Are Dead, 2017

HD Video, 32 inch LCD Monitor

Edition of 5

DR_017

Dawn Roe  Moth, Wings, and Debris, from the series "Conditions for an Unfinished Work of Mourning: Beauty As an Appeal to Join the Majority of Those Who Are Dead", 2017, Photography, Asheville, Contemporary Art

Dawn Roe

Moth, Wings, and Debris, from the series "Conditions for an Unfinished Work of Mourning: Beauty As an Appeal to Join the Majority of Those Who Are Dead", 2017

Cyanotype

7h x 5w in
17.78h x 12.70w cm

Unique

DR_011

Dawn Roe  Rock in Concrete on Spain/France Border, from the series "Conditions for an Unfinished Work of Mourning: Beauty As an Appeal to Join the Majority of Those Who are Dead", 2017  Cyanotype, Photography, Asheville, Contemporary Art

Dawn Roe

Rock in Concrete on Spain/France Border, from the series "Conditions for an Unfinished Work of Mourning: Beauty As an Appeal to Join the Majority of Those Who are Dead", 2017

Cyanotype

7h x 5w in
17.78h x 12.70w cm

Unique

DR_012

Dawn Roe  Cemetario de Portbou (Shadow), from the series " Condition for an Unfinished Work of Mourning: Beauty As an Appeal to Join the Majority of Those Who Are Dead, 2017  Cyanotype, Photography, Asheville, Contemporary Art

Dawn Roe

Cemetario de Portbou (Shadow), from the series " Condition for an Unfinished Work of Mourning: Beauty As an Appeal to Join the Majority of Those Who Are Dead, 2017

Cyanotype

8h x 10w in
20.32h x 25.40w cm

Framed: 10 x 23 inches framed (each)

Unique

DR_013

Dawn Roe  Cemetario de Portbou (Shadow and Gate), 2017  Three Panel Archival Pigment Print  20 x 16 inches each, Photography, Asheville, Contemporary Art

Dawn Roe

Cemetario de Portbou (Shadow and Gate), 2017

Three Panel Archival Pigment Print

20 x 16 inches each

Framed: 18 x 22 inches each

Edition of 5

DR_014

Dawn Roe  Francoist Bunker, Spain/France Border (Concrete, Cloth, Boulders, Tape), from the series "Conditions for and Unfinished Work of Mourning: Beauty As a Appeal to Join the Majority of Those who Are Dead", 2017  Two Panel Archival Pigment Print  20 x 16 inches each, Photography, Ashevill, Contemporary Art

Dawn Roe

Francoist Bunker, Spain/France Border (Concrete, Cloth, Boulders, Tape), from the series "Conditions for and Unfinished Work of Mourning: Beauty As a Appeal to Join the Majority of Those who Are Dead", 2017

Two Panel Archival Pigment Print

20 x 16 inches each

Framed: 22 x 28 inches each

Edition of 5

DR_015

Press Release

Tracey Morgan Gallery is pleased to present Conditions for an Unfinished Work of Mourning, an exhibition of works from gallery artist Dawn Roe. The exhibition will be in the project gallery and will hang alongside an exhibition of works from fellow gallery artist Sharon Core.

Roe began this series on the coastal border of France and Spain in the summer of 2017, along a network of trails crossing through the Pyrenees Mountains. The initial intention was to closely examine the sites surrounding the specific footpath taken by philosopher and cultural theorist Walter Benjamin during his ill-fated attempt to flee Nazi persecution in 1940. Known as the F-Route (after resistance leader Lisa Fiitko), this trail intersects with related paths of exile traversed by over half a million refugees during The Spanish Civil War and World War II. These overlapping narratives became equally vital to the production of the work.

In this series, Roe produced works using digital photography and video as well as cyanotype. A camera-less technique, cyanotypes record imprints of duration, invariably speaking to both presence and absence at once. Roe chose to employ this technique knowing that she would regularly be working outdoors in sunlight within a particular space of memory and loss. Instead of creating precise documentation of objects or forms as we often see with cyanotypes, Roe chose to document more intimate personal interactions with the space using the photo-sensitized cloth and paper she carried with her each day to record her interactions in relation to both atmospheric and material conditions, engaging with the natural terrain, its rocks, shadows, and vegetation. The resulting works include both original and reproduced cyanotypes that have been digitized and printed to vinyl, or aluminum, and video streams depicting the artist manipulating elements within each scene.

Conditions for an Unfinished Work of Mourning coincides with the 2-person exhibition, essay, v., at RAMP Gallery for Revolve Studios, including works by Dawn Roe and Leigh-Ann Pahapill. Working alongside one another in the city of Port-bou and surrounding coastal regions of Spain, long-time collaborators Roe and Pahapill each produced distinct works in response to these sites that will come together in this exhibition.