Ursula Gullow: Nightbloom

May 16 – June 21, 2025

fired and glazed clay object, black and yellow abstract pattern in the center, the edges are ornamental

Ursula Gullow

Piece_01, 2025

Glazed and fired clay

6 1/2h x 5w x 1 1/4d in
16.51h x 12.70w x 3.18d cm

UG_020

A white ceramic glitter shaker with a "swing" courtship painting on all for sides

Ursula Gullow

Glittershaker_01, 2024

Glazed and fired clay

8h x 5w x 5d in
20.32h x 12.70w x 12.70d cm

UG_021

Work on paper with two women in period satin dresses changing stockings

Ursula Gullow

Boudoir Study, 2024

Watercolor, acrylic, ink and decorative paper on paper

22 1/4h x 18 1/2w in
56.52h x 46.99w cm

UG_022

a woman's hand touches a small, dead bird on a table top, sketch

Ursula Gullow

By her Hand, 2024

Ink and acrylic on paper

17h x 11w in
43.18h x 27.94w cm

UG_017

Two women in period satin dress take off wet stockings in front of a floral backdrop

Ursula Gullow

Satin Bows, Wet Toes, 2025

Oil on canvas

60h x 45w in
152.40h x 114.30w cm

UG_001

Floral still life with the side portrait of a bearded man in the top left corner

Ursula Gullow

Bouquet's Edge (man with flowers), 2024

Oil on canvas

30h x 40w in
76.20h x 101.60w cm

UG_002

Cropped image of a woman in period clothes squatting next to a basket of eggs, two of which are broken

Ursula Gullow

Broken Eggs, 2024

Oil on canvas

30h x 40w in
76.20h x 101.60w cm

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Floral Still life, full frame on a black background with stone fruits

Ursula Gullow

Stone Fruit Arrangement, 2024

Oil on canvas

20h x 20w in
50.80h x 50.80w cm

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long narrow, mixed media pastoral landscape, framed with paper clay leaves and other ornamentations

Ursula Gullow

Idyll Landscape, 2024

Acrylic, paper clay, wood, vinyl, diamond dots, beads, graphite

10h x 40w in
25.40h x 101.60w cm

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a female hand reaches for a dead bird on a table top

Ursula Gullow

Small Bird, 2024

Oil on canvas

10h x 10w in
25.40h x 25.40w cm

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A courtship painting (woman on swing, men and woman picnicking on the lawn), blue sky and clouds morph in to the night sky. framed with clay leaf motif

Ursula Gullow

Courtship Party, 2024

Wood, acrylic and oil paint, paper clay

25 1/2h x 11w in
64.77h x 27.94w cm

UG_013

Shaped canvas, painted lack with plaster swirls and painted floral decorations

Ursula Gullow

Twilight's Gloom, 2023

Plaster, wood, canvas, graphite, acrylic paint

17h x 17w in
43.18h x 43.18w cm

UG_014

Shaped canvas with plaster ribbons edging the piece. Black and white abstract drawing interspersed

Ursula Gullow

Cloudswell, 2023

Plaster, wood, canvas, graphite, acrylic paint

18 1/2h x 13w in
46.99h x 33.02w cm

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A  set white glazed porcelain objects a water bowl with leaves and flora as well as an ink palette with the same motif

Ursula Gullow

Water Bowl and Ink Palette, 2024

Glazed Porcelain Set

Set: 5.25h x 11w inches
Waterbowl: 5.25h x 5.75w inches
Palette: 5.5h x 2w inches

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A glazed clay object. Hand painted scribbles on the textured surface. Edges are small leaf shapes

Ursula Gullow

Scribble Palette, 2024

Glazed and fired clay

9h x 8 1/2w x 2d in
22.86h x 21.59w x 5.08d cm

UG_007

Vertical oil painting of the interior of an artist studio morphing into a courtship painting with the reflection of the artist

Ursula Gullow

A Still Life, Breathing, 2025

Oil on canvas

60h x 48w in
152.40h x 121.92w cm

UG_009

Floral still life with art historical references such as a black and red greek urn, nude figures, classical sculpture

Ursula Gullow

Thick as History, 2022

Oil on canvas

36h x 36w in
91.44h x 91.44w cm

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Press Release

Tracey Morgan Gallery is pleased to present Nightbloom, our first solo exhibition of painter and mixed media artist Ursula Gullow. Join us for an Artist Reception on Friday, May 16 from 6-8PM.

Moving between classical painting techniques and craft materials, Gullow’s artwork embraces the decorative arts while reframing the female presence in Western art and rescuing historical imagery from its patriarchal forebears. Her richly painted tableaus and lustrous ceramic objects recontextualize sentimental narratives, innuendos, and adornments prevalent in European art history. Flowers, foliage, ribbons, petticoats, silk stockings, and ornamental filigree fill her oil paintings of landscapes and interior spaces.

For Gullow, the artist’s studio serves as both a sanctuary and a site of agency—a space where the act of making becomes a source of empowerment. She works across a range of materials and processes, incorporating plaster, ceramics, vinyl, and textiles into her practice. In tribute to the studio itself, Gullow’s ceramic tools—“glittershakers,” water bowls, and paint palettes—draw inspiration from 18th-century decorative vessels that were designed to display the wealth and status of their owners. In a similar vein, Gullow’s ceramic work reflects the richness of the studio environment, elevating its everyday objects into ornamental symbols of abundance.

Nightbloom draws heavily from the Rococo art movement, incorporating elements such as asymmetrical framing, naturalist motifs, and pastoral scenes of fête galante—romanticized courtship gatherings. Yet Gullow’s vision is distinctly contemporary: she amplifies color, narrative, and ornamentation, not simply as homage to art history, but as a way of challenging its rigid conventions. By hyperbolizing what has often been marginalized—decoration and sentimentality—she undermines hierarchies that have long privileged austerity and control in visual culture. Rather than striving for resolution, Gullow dwells in the liminal—in repetition, disruption, and invention.

Ursula Gullow received a BA in Sociology from the State University of New York at New Paltz, NY (1994) and an MFA in Studio Art from East Tennessee State University in 2024. Her work has been included in exhibitions at the Asheville Art Museum (2019) and the Contemporary Art Museum, Raleigh (2022). Her social engagement project, One is a Crowd was produced and installed over a period of two months at Artspace, Raleigh, NC (2017) and she was a resident artist at the Sam and Adele Golden Foundation for the Arts in the summer of 2021. Gullow has also completed artist residencies with The Gil-Society in Akureyri, Iceland (2005) and Jentel Arts Organization in Banner, WY (2019). She has twice received the North Carolina Regional Artist Project Grant (2009, 2019) and she is a 2020 recipient of the Barbara Deming Memorial Fund’s Money for Women Artists Grant. Gullow currently teaches at Western Carolina University’s School of Art and Design in Cullowhee, NC.

For image requests and press-related inquiries, email info@traceymorgangallery.com

Above image: Ursula Gullow, Satin Bows, Wet Toes, 2025, oil paint on canvas, 60 x 45 inches