Evon Streetman: Reflections

August 28 – October 10, 2026

photograph of rocks and flowers layers over a gelatin silver print of rock formations

Evon Streetman

Falling Landscape I, 1994

Cibachrome

49 1/2h x 39w in
125.73h x 99.06w cm

ES_004

Photograph of a gash in a rock with hand embellishments of graphite

Evon Streetman

Midnight Landscape, 1978

Gelatin Silver Print

19 1/2h x 23 1/2w in
49.53h x 59.69w cm

ES_011

cross shaped photograph of rocks with hand embellishments in acrylic and graphite

Evon Streetman

Chattooga Fantasy, 1989

Gelatin silver, C-print, acrylic and graphite

39 3/4h x 31 3/4w in
100.97h x 80.65w cm

ES_015

Evon Streetman

Falling Landscape, 1994

Cibachrome

39 1/2h x 31 1/4w in
100.33h x 79.38w cm

ES_016

Photograph of a wisteria tree, with hand painted blooms

Evon Streetman

Penland Wisteria III, circa mid-1980s

Cibachrome with acrylic

30h x 24w in
76.20h x 60.96w cm

ES_017

Evon Streetman

Florida Primeval II, 1992

Cibachrome

39 1/4h x 31 1/4w in
99.70h x 79.38w cm

ES_018

wisteria tree with reflections

Evon Streetman

Penland Wisteria, Circa mid-1980s

Cibachrome with acrylic

41h x 30w in
104.14h x 76.20w cm

ES_019

composition of rocks fit into a gash in a boulder, with red string

Evon Streetman

The Rock, n.d.

C-print

15 1/2h x 19 3/4w in
39.37h x 50.17w cm

ES_020

Photograph of a wisteria tree with handprinted purple blooms

Evon Streetman

Penland Wisteria I, circa mid-1980s

Vintage cibachrome with acrylic paint

30h x 24w in
76.20h x 60.96w cm

ES_014

photograph of a photograph of Bluet flowers on a rock filled creek bed, with hand painting

Evon Streetman

Rocks and Bluets, circa mid-1980s

Vintage cibachrome with acrylic

23 3/8h x 19 3/8w in
59.37h x 49.21w cm

ES_001

A photographs of the a rock surrounded by four reflections of Blue Sky, with hand painting

Evon Streetman

Mt. Pisgah Rock Series (Blue Sky x 4), Mid 1980s

Vintage cibachrome with acrylic

23 1/2h x 18 1/2w in
59.69h x 46.99w cm

ES_002

A photograph of a small rock in the gash of a boulder with hand painted transparent layers that look like sheets of paper

Evon Streetman

Mt. Pisgah Rock Series (3), Mid 1980s

Vintage cibachrome with acrylic

23 1/2h x 18 1/2w in
59.69h x 46.99w cm

ES_005

photograph of a field of flowers under a blue sky with a hand painted and collaged polaroid sheet through the center of the image.

Evon Streetman

Idaho Fantasy, Craters of the Moon, 1976

Vintage gelatin silver print with collage

27h x 34w in
68.58h x 86.36w cm

ES_006

image of a desert landscape with a rainbow, old car and sheet of film hand painted in acrylic

Evon Streetman

Homage to James Agee, 1978

C-Print with acrylic

15 1/2h x 19 1/2w in
39.37h x 49.53w cm

ES_008

Evon Streetman

Triptych Tree, min 1980s

Polaroid SX and airbrush

19h x 14w in
48.26h x 35.56w cm

ES_010

Evon Streetman

Rock Reflections I, 1981

Cibachrome

30 1/4h x 23 1/2w in
76.84h x 59.69w cm

ES_012

Press Release

Tracey Morgan Gallery is pleased to present "Reflections," a survey exhibition of photographs by Evon Streetman. This marks Streetman’s first exhibition with the gallery. An opening reception will be held on Friday, August 28, from 6:00 PM to 8:00 PM.

Evon Streetman is a seminal figure in Southern photography whose experimental approach helped define the trajectory of contemporary photo-based art in the region. Initially trained as a painter, she was an early pioneer in incorporating painterly processes and handwork into her photographs. She embraces the materiality of the photographic surface through interventions such as hand-coloring, airbrushing, and the application of gold and silver leaf. Her images often blur the line between documentation and transformation, evoking a sense of place that is both intimate and enigmatic.

Streetman’s work emerged alongside a broader movement of artists who redefined photography as a fine art medium, including Clarissa Sligh, William Christenberry, and Eugene Meatyard. Like her contemporaries, Streetman’s work explores memory and place, remaining deeply rooted in the Southern landscape.

In addition to her artistic practice, Streetman was a impactful educator. She assisted in developing the photography curriculum at Florida State University and later founded the photography program at the Penland School of Craft. Her work remains a standard in the study of alternative photographic practices and the visual culture of the American South.

Streetman received her B.S. from Florida State University and served on the faculty of the University of Florida from 1977 to 1999. She received numerous grants and honors, including a Florida Individual Artist Fellowship and a National Endowment for the Arts grant. Her work is included in the permanent collections of the Art Institute of Chicago, the Harn Museum of Art, The Ogden Museum of Southern Art, and The Ringling Museum, among others. Her archives are now part of the Florida State University Library System. Her photographs will also be featured in upcoming exhibitions at the Ogden Museum of Southern Art (2027) and The Ringling Museum (forthcoming). .

All press inquiries, please contact info@tarceymorgangallery.com