Forbidden Fruit

April 2 – May 9, 2026

Oil on paper study of an open mouth

Harley Burns

Mouth, 2026

Oil on paper

9h x 6w in
22.86h x 15.24w cm

HB_004

multi panel cyanotype of a crab apple tree

Eric William Carroll

251021 Crab Apple, 2025

Cyanotype

96h x 90w in
243.84h x 228.60w cm

EWC_005

Photograph of branch on red table cloth, by James Henkel

James Henkel

Apple Branch
From the Botanicals, 2013

Archival pigment print

30 x 24 inches, Edition of 3
20 x 16 inches, Edition of 5

JHe_063

Orly Cogan  Double Eve, 2005  Hand Stitched embroidery, crochet and paint on vintage doily  25h x 18 1/2w in, Feminist Art, Female gaze, 2/4 length portraits of two nude female figures, embroidery

Orly Cogan

Double Eve, 2005

Hand Stitched embroidery, crochet and paint on vintage doily

25h x 18 1/2w in
63.50h x 46.99w cm

OC004

four leaf clovers and apples populate the background, in the foreground is a nude figure with top surgery scars holding a clover

Daniel Simone

lucky you, 2026

acrylic and ink on cyclically recycled paper

26h x 27w in
66.04h x 68.58w cm

Framed: 32h x 32w x 1 1/2d in
81.28h x 81.28w x 3.81d cm

ds_004

a bright red apple sits on a table with a blue cloud filled sky in the background. There is a single bite taken out of the left side

Carly Owens Weiss

Bad Apple, 2024

Oil on canvas

12h x 12w x 1 1/2d in
30.48h x 30.48w x 3.81d cm

CW_015

Soft hand beaded sculpture of a cross section of a half rotten apple

Carly Owens Weiss

Bad Apple, 2024

hand embroidered soft sculpture

10h x 9 1/2w x 1d in
25.40h x 24.13w x 2.54d cm

CW_030

Hand embroidered vintage linen

Orly Cogan

Mystery, 2009-2017

Hand stitched embroidery and paint on vintage linen

51h x 45w in
129.54h x 114.30w cm

OC015

Three panel painting in an altarpiece style featuring three trans women

Harley Burns

Sanctity of Transness, 2025

Oil on Panel

48h x 72w in
121.92h x 182.88w cm

HB_003

Cropped image of a woman in period clothes squatting next to a basket of eggs, two of which are broken

Ursula Gullow

Broken Eggs, 2024

Oil on canvas

30h x 40w in
76.20h x 101.60w cm

UG_003

Embroidery of a woman on linens

Orly Cogan

Coming of Age, 2023

Hand stitched embroidery and paint on vintage linen

13h x 9 1/2w in
33.02h x 24.13w cm

OC020

Image of young girl washing blood out of sheet in a bath tub

Margaret Curtis

Toile: A Study in Red, 2016

Oil on panel

36h x 60w in
91.44h x 152.40w cm

MC_093

oil on paper drawing of the bent know and lower half of a reclining figure in blue underwear

Harley Burns

Desire II, 2025

Oil on paper

10h x 12w in
25.40h x 30.48w cm

HB_002

top half of a nude reclining figure

Harley Burns

Desire I, 2025

Oil on paper

10h x 12w in
25.40h x 30.48w cm

HB_001

Two young woman in tennis skirts look seductively at the viewer, one crouches at the feet of the other.

Sharon Shapiro

No Man's Land, 2023

Oil on canvas

43h x 36w in
109.22h x 91.44w cm

SS_001

Reflective kids backpack filled with "queer secrets" hangs alongside a stack of banned LGBTQ books

Erika Diamond

#SayGay, 2022

Reflective vinyl fabric, zipper, *queer secrets, banned books

16h x 14w x 8d in
40.64h x 35.56w x 20.32d cm

ED_001007

pinkish ring with a red interior, small finger like protrusions are along the interior of the ring

Casey Engel

Creature, 2024

Stoneware, slip, underglaze, glaze, and acrylic paint

5 1/2h x 11w x 11d in
13.97h x 27.94w x 27.94d cm

CE_001

Red and purple plug

Casey Engel

Lump, 2024

Stoneware, slip, underglaze, and glaze

9h x 7w x 7d in
22.86h x 17.78w x 17.78d cm

CE_002

Black plug shaped object

Casey Engel

Helios, 2024

Stoneware and glaze

10h x 8 1/2w x 8d in
25.40h x 21.59w x 20.32d cm

CE_003

Bright green canvas with "repaired" holes. Red thread outlines the holes

Nava Lubelski

Tequila Sunrise, 2009

Thread on stained canvas

12h x 12w in
30.48h x 30.48w cm

NL_046

Green stained canvas with a red and pink hand stitched "Stain" at the center

Nava Lubelski

Multi Channel, 2004

Thread on stained canvas

12h x 12w x 1 1/2d in
30.48h x 30.48w x 3.81d cm

NL_051

Still life of a single ripe peach with water droplets

Carly Owens Weiss

Full to Bursting, 2024

Oil on canvas

12h x 12w x 1 1/2d in
30.48h x 30.48w x 3.81d cm

CW_016

Press Release

Tracey Morgan Gallery is pleased to announce our first exhibition of 2026, Forbidden Fruit. This group exhibition features works by eleven artists exploring the multifaceted themes of the biblical narrative and its contemporary interpretations. Please join us for the opening reception, Thursday, April 2, from 6-8pm.

The exhibition draws inspiration from the fruit of the Tree of Knowledge in the Garden of Eden, examining the consequences of succumbing to temptation, the thirst for knowledge, shame, and mortality.

Central to the exhibition is the apple as an iconic symbol of temptation. Notably, Carly Owens Weiss’ Bad Apple serves as an embodiment of "The Fall," depicting a bitten, glossy red apple with visible worms.

The featured works further engage with modern themes of seduction, forbidden pleasure, and  the loss of innocence. Ursula Gullow’s Broken Eggs utilizes iconographic symbols and art historical references to signify loss of virtue. In contrast Margaret Curtis’ Toile, A Study in Red, presents a more straight forward narrative, depicting a teenage girl cleaning a bloody sheet while her male counterpart  relaxes nearby.

Seduction and desire serve as central themes in Mouth and Desire I & II, three small works on paper by Harley Burns. Burns’ practice focuses on elevating the beauty and raw emotion of the ephemeral, with a specific emphasis on queer lives.

Additionally featured is The Mystery, a hand-embroidered fiber work by Orly Cogan. This piece pulses with contradictions, juxtaposing the innocence of floral motifs with the sensuality of flesh, and the openness of play with the secrecy of whispered exchanges.